Izotope Rx 6 Documentation

  1. Izotope Rx 6 Documentation Manual
  2. Rx 6 Supplement
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Izotope Rx 6 Documentation Manual

iZotope RX is by far the king of audio repairs. It’s really that good! In this advanced Unofficial Video Manual, Joe Albano, leads the way by explaining what each module does best, how they operate and, most importantly, why you need to know them.
Joe starts the course with an in-depth look at the standalone RX 6 application where you learn to navigate and customize its unique spectrogram view and user interface. Joe also explains how you can load the RX modules right from your DAW, and how to transfer audio back and forth using the convenient RX 6 Connect plugin.
Next, Joe dives into the heart of iZotope’s RX 6 by giving a thorough description and practical demonstration of every module. You learn how to de-clip, de-plose, de-ess, de-click, de-crackle audio in every possible way! Want to remove some annoying lip smacks and mouth noise on a voice recording? Check. Need to reduce clothes noise on a lavalier mic recording, or wind noise on an outdoor recording? Check. What about removing background hum, or unwanted ambiance? Check! Using lots of in-action audio examples, Joe explains exactly how to use RX powerful modules to fix all those audio issues... and more. After covering all repair tools, Joe concludes the course by looking at RX 6 utility modules, such as EQ Match, Time & Pitch, Loudness and Leveler to name a few.
So join expert audio engineer Joe Albano in this comprehensive course, and learn everything you need to know about audio restoration with iZotope RX 6!

Rx 6 Supplement

3 new modules in RX 6 Advanced built on iZotope’s innovations in machine-learning and intelligent signal processing. De-wind: designed to reduce or remove intermittent low-end wind rumble that occurs when wind blows into a microphone. De-rustle: removes distracting lavalier microphone rustle and other rustling sounds from your dialogue. Apr 20, 2017  RX 6 is a huge time-saver when it comes to editing vocals. Producers and engineers can spend hours trying to clean up great vocal performances that were marred by common recording issues.